This is the opposite of the previous lesson. A low profile picture is pretty much black on black, or at least very dark to dark. This type of photo may be a feeling of intimacy and anticipation, sadness / or severity. Maybe you have a face or object with a rim of light in a silhouette, but dark on the side toward the camera and the dark background.
The problem with obscure recordings in the dark is that the camera will attempt to increase the image makes the image look washed out and shine to gray.
For this recording, you need a dark cloth, preferably black, and an object that is dark or has some dark tones in it. You could take a picture of a person with dark hair wearing dark clothing against a dark background or black for a low-key portrait.
Note: Recording of an object or a person who is very bright or white against black has a different effect and is not really a "low key", although it may be shocking picture anyway.
Exercise: First, take a picture of what you say is the correct camera exposure. A few meters from the camera will make the scene well. Now, take a meter reading in a little dark / black, the incident light and close the opening of two stops (i.e when do you want to go to ƒ1.8 ƒ4.)
Compare the two images and see what he did.
The problem with obscure recordings in the dark is that the camera will attempt to increase the image makes the image look washed out and shine to gray.
For this recording, you need a dark cloth, preferably black, and an object that is dark or has some dark tones in it. You could take a picture of a person with dark hair wearing dark clothing against a dark background or black for a low-key portrait.
Note: Recording of an object or a person who is very bright or white against black has a different effect and is not really a "low key", although it may be shocking picture anyway.
Exercise: First, take a picture of what you say is the correct camera exposure. A few meters from the camera will make the scene well. Now, take a meter reading in a little dark / black, the incident light and close the opening of two stops (i.e when do you want to go to ƒ1.8 ƒ4.)
Compare the two images and see what he did.
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